On Wednesday, April 20, 2016, Moonalice will be hosting their annual 420 Gathering of the Tribe celebration at Slim’s in San Francisco. This spring themed event is sure to please with music by opener Doobie Decibel System Band (Jason Crosby, Roger McNamee, Pete Sears, Dan “Lebo” Lebowitz & Jay Lane) and includes a special poster show highlighting the Moonalice and Doobie Decibel System series.
Poster fans will appreciate the $10 ticket price which includes a FREE set of 21 posters commemorating the event. The special set include art by: Lee Conklin, David Singer, Lauren Yurkovich, Darrin Brenner, Carolyn Ferris, Dennis Larkins, Gregg Gordon, John Mavroudis, Dennis Loren, Jason Wilson, John Seabury, Stanley Mouse, Patricia & George Sargent, Dave Hunter, Jennaé Bennett, Christopher Peterson, Wes Wilson, Winston Smith, Prairie Prince, Ron Donovan & Chris Shaw.
Slim’s 333 11th St, San Francisco
Moonalice 420 Celebration at Slim’s on April 19, 2015
Moonalice’s Annual 420 Gathering of the Tribe celebration this year includes Doobie Decibel System opening with their first electric concert featuring Jason Crosby, Roger McNamee, Dan Lebowitz (Lebo) on guitar, Pete Sears on bass, and Jay Lane on drums. Fun begins at 4:20pm
This psychedelic spring party on 4/19/15 will include a poster exhibit, photo booth, festive magician, raffle, and many more treats! Tickets only $5.00, available here.
Every guest will receive a 19 poster set by well-known artists including: Dennis Loren, Darrin Brenner, Winston Smith, Carolyn Ferris, Gregg Gordon, Pat & George Sargent, John Mavroudis, Dennis Larkins, David Singer, John Seabury, Stanley Mouse, Lee Conklin, Lauren Yurkovich, Prairie Prince, Ron Donovan, Wes Wilson, Alexandra Fischer, Jennaé Bennett, and Chris Shaw.
There will also be a silkscreen concert poster by Gary Houston available for purchase.
Promo art (pictured above) by: Alexandra Fischer
More poster art at MoonalicePosters.com
Join the Tribe at Moonalice.com
Slim’s 333 11th Street, San Francisco
Moonalice is hosting a Super Psychedelic San Francisco Hippie Holiday Show featuring music by Moonalice and The Fall Risk on Saturday, December 20th, 2014 at Slim’s. Posters fans will be particularly excited to know that anyone who brings a new, unwrapped toy will receive a free set of 16+ Moonalice posters. Moonalice is a band that takes rock poster art seriously, with a series totaling almost 800 posters! Check out MoonalicePosters.com for more information. This is a benefit for Toys For Tots and will also feature:
- Psychedelic Santa
- Dreamy Woodland Dessert Table
- Stocking Stuffed with Treats
- Surprises and More!
Tickets can be purchased online now, only $15. This is an all ages (Show 6+) -Doors: 7:00pm
Slim’s 333 11th St, San Francisco
PM PRESS will present their new book, DEAD KENNEDYS Fresh Fruit for Rotting Vegetables, The Early Years, by Alex Ogg, with photographs by Ruby Ray and art by Winston Smith, with a book signing the night of the Reception. Photos and art from the book will be exhibited along with additional work from the era.
The event PUNK: CONVULSIVE BEAUTY re-examines the explosive punk scene of 1977-1981 with the brilliant pairing of Ruby Ray and Winston Smith. This is Ruby’s first big show in SF since 5 years ago and you won’t want to miss it! She’ll exhibit a noir selection of over 40 photographs from her large collection of the mavericks who were a driving force in the early punk movement. Winston Smith will be transforming the Icebox with early artworks and collage, including controversial images created for the Dead Kennedys’ record covers. Jill Reiter of Vis a Vis will be continuously screening overhead an old-school punk video projection. Libations will be on hand.
This is a free event! Join up on Facebook.
Check out the Brazilian promo to the book.
About the Book
Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit offered a perfect hybrid of humor and polemic strapped to a musical chassis that was as tetchy and inventive as Jello Biafra’s withering broadsides. Those lyrics, cruel in their precision, were revelatory. But it wouldn’t have worked if the underlying sonics were not such an uproarious rush, the paraffin to Biafra’s naked flame.
Dead Kennedys’ continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released records on independent labels. They not only existed outside of the mainstream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music industry itself. The DKs set so much in motion. They were integral to the formulation of an alternative network that allowed bands on the first rung of the ladder to tour outside of their own backyard. They were instrumental in supporting the concept of all-ages shows and spurned the advances of corporate rock promoters and industry lapdogs. They legitimized the notion of an American punk band touring internationally while disseminating the true horror of their native country’s foreign policies, effectively serving as anti-ambassadors on their travels.
The book uses dozens of first-hand interviews, photos, and original artwork to offer a new perspective on a group who would become mired in controversy almost from the get-go. It applauds the band’s key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening—and enormously funny. The author offers context in terms of both the global and local trajectory of punk and, while not flinching from the wildly differing takes individual band members have on the evolution of the band, attempts to be celebratory—if not uncritical.
Buy the Book now from the publisher.
“We have a sense of humor and we’re not afraid to use it in a vicious way if we have to. In some ways, we’re cultural terrorists, using music instead of guns.“ — Jello Biafra of the Dead Kennedys
“It was obvious that the DKs weren’t just another band that was gonna come and go. They were something special. Biafra was an absolute talent. And he had a band behind him that were tight and good.“ — Howie Klein, concert promoter, disc jockey, and record label executive
“One day, this kid from my social studies class brought in a cassette tape of The Dead Kennedys’ Fresh Fruit for Rotting Vegetables and I listened to it and my life was changed completely.“ — Adam Gierasch, film director
“One of my favorite rock ’n’ roll memories is of an after-party during the DKs’ first visit to Seattle. Recognize that bands like this for me—these actual guys being at a party in the same house that I was in—was like being in the presence of Led Zeppelin or Kiss.“ — Duff McKagan of Guns ’n’ Roses
IHeartNorthBeach Gallery 641 Green Street, San Francisco